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Note the amount of detail that the wet scanning can extract from this film is so good that you can make out my Uncle fishing on the shoreline!
So obviously the Epson V can give some great results and the ScanScience wet mounting kit can enhance these results even further and ensure that the negatives remain perfectly flat in the process.
I am still working on my technique to minimize dust that has to be digitally removed later, but that will simply take practice.
Since the labs that I use charge so much for scans and these scans are worse or at best equal to what I can get from the Epson V, I think my days of having scans with my developing are over.
A note about scanning software. That supplied with the V cannot access the High Pass Optics of the scanner. That supplied with the V I purchased does but the software would not work with my latest version of Mac OS.
As a result, if you purchase either the V or V you will have to upgrade the software supplied to access these High Pass Optics. Many thanks to John for coming back to us with another fantastic article.
If you have your own experiences or tips please leave them in the comments below. Thanks JCH. Camera hunter, photographer, camera geek, Tokyoite and Englishman all rolled into one gracefully balding package.
I have been living and working in Tokyo for 14 years now and it is my home. Tokyo is heaven for cameras and I know the secret spots and special places.
Let me be your 'camera enabler'. I considered buying an Epson Vish for a long time but decided against it.
Also, it can scan an uncut roll of 35mm in batch mode. If your exposures on a single roll are very uniform, you can have the scanner scan the whole roll in batch mode.
I use Vuescan instead of the outrageously overpriced Silverfast. This also allows me to scan raw images. Hey, I have a V, and the special wet-scanning holder.
I also have a Imacon Precision 2, and a was lucky finding them. You mention that the scanner removes film grain, which seems odd to me. In some lab scans it very well could be that the lab is using more, probably too much, sharpening.
But also there is diffraction off the grain in a dry scan depending on the film type of course this diffraction is minimized in wet scanning because of the liquid that the light must pass though.
In the colour shot, perhaps the wet scan slightly opened up the shadows a little bit more. But hardly. Very good article. Oil mounting was standard on the Crosfield or Hell drum scanners I used to operate when I was in the print trade back in the 80s and 90s.
About 10 years ago I did my first experiments with using a digital camera as a scanner and found the results so good I abandoned flatbeds altogether.
Any scanner or clunky scanner software is just too time consuming. The technique is enhanced by using focus stacking to correct for any curvature of the film.
To my eye, I get better results with this than with my Epson V dry scans. When one thinks of how air traffic is coordinated, one is often surprised that there are no more accidents than what happen when you have a lot of big machines that fly very quickly to land the same place.
The radar allows the control towers and aircraft to see what else is in the air space, and thus avoid collision.
Many of the greatest technological advances are made in connection with the military, and especially when you are at war.
Natürlich auch ob du mit deinem Wettschein gewonnen oder verloren hast. Denn wenn du einen Wettschein online abgibst, dann wirst du über den Gewinn automatisch per Email oder per SMS benachrichtigt.
Wie du im Gewinnfall informiert werden willst, dass kannst du in deinem Wettaccount vorher einstellen. The purpose of this section is two-fold: It acquaints you with the capacity of film as a recording medium compared to digital.
Perhaps more important to all photographers, it covers the most critical points in choosing the color space when scanning and when printing from Photoshop.
The scans shown below are unedited dry and wet scans. These scans show the difference in resolution of dry as compared to wet scanning.
Wet scanning can do this because it is an optical technique. No manipulations of any kind were applied. W hat you see is the unedited scan.
As you can see, the wet scans obtained through the ScanScience wet-scan technology are far superior in resolution, sharpness, contrast , and dynamic range.
Color Think Pro is unquestionably the premier color management software. One of the of the most important decisions you are likely to make in scanning is tagging your image with a working color space.
Once you do that, the image is forever confined to the boundaries of that color space. The colors contained in the film that the working color space can't include are permanently lost clipped to the scan and can't be recovered.
Choosing, after the fact, a wider color space in Photoshop is ineffective. The loss is permanent and cannot be undone. In scanning, the objective of color management is to record, with maximum fidelity, the colors embedded on film.
If you have scanned and captured all the colors in the film faithfully, the image's richness may not be fully evident in the monitor at hand, but since printers have wider gamuts than most monitors, the printer may print most colors in the scan even though you cannot see them on the monitor.
The richness of the colors in the scan are not most because the monitor does not display them or the current printer can't print them. They are embedded with the scan, waiting to come to life and be rescued by a better monitor or printer.
Opting for fluid-scanning puts within reach the highest quality reproduction possible. To ensure this, the path from the scan to the print must be direct as regards size and color settings, with the least amount of intervention by the photo-editor software.
Best quality requires sizing the scan for the print and tagging the optimum working color space to the image from the start.
This means a color space that will not clip the colors on film nor one that will be too wide as to include artificial, mathematically created colors.
If this is done, the colors resident on the film will stand a better chance of being reproduced in print.
Although Color Science can be complicated, the working principles are not difficult and distill into relatively basic concepts.
Older color spaces and older printers were blind to a large portion of the visible spectrum including blues and greens.
A weak color space like sRGB was then quite appropriate because what it could not capture could not be printed anyway.
The very wide color gamut reproducible in today's best printers requires a larger color space to match. Fortunately new color spaces are available that more closely match the capabilities of the best printers.
The only remaining shortcoming is in the media, paper , which at its best, falls short of reproducing the full brightness or intensity recorded in film, readily viewable in projection, a monitor, or a light-table.
A very large color space like Pro-Photo RGB is big enough to encompass all real colors, but at the price of including many unreal, imaginary colors.
When sRGB was the only game in town, the distorted colors produced by pro-Photo RGB might have been worth the risk and a better choice than clipped colors.
The imaginary colors in Pro-Photo RGB are merely mathematical constructs, devoid of practical significance, which can lead to severe distortions of the real colors.
A large set of comparisons of many color spaces against the gamuts of several monitors and many printers is one of the many features in the forthcoming eBook.
These comparisons will help you attain the best color possible with fluid scanning. Nature is generous with color and the human eye the marvelous gift that enables it.
To do both justice you need to understand the color capabilities of color spaces and printer profiles, which you learn in ScanScience's forthcoming eBook "Total Scanning 2".
The blues which are not shown in this take , are equally clipped as would be seen if the image were to be turned around. The best color printers of today, in conjunction with the latest color spaces, come closer to reproducing a larger portion of the visible spectrum.
You will notice that many of the greens and blues not captured in sRGB would be printable with this printer.
One reason for Lumina scans is color, so it is appropriate to say something about color.11/13/ · Haben Sie über ein Wettbüro bei Tipico getippt, erhalten Sie den Wettschein als Bon gedruckt. Diesen können Sie auch ohne einen Account bei Tipico prüfen. Auf dem Wettschein finden Sie unten einen Barcode. Scannen Sie den Barcode per Smartphone oder PC, gelangen Sie zur Webseite von Tipico. Dort wird Ihnen der aktuelle Stand Ihrer Wette. Flight Scanner. Photo Scanner free download - Advanced IP Scanner, Advanced Port Scanner, Bazooka Adware and Spyware Scanner, and many more programs.